Ciel Variable 30 - Untitled

EDITORIAL - Rallying Resistance

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By Marcel Blouin

Onee again, the words "budgetary cuts" are on the rise. My commitment to the field of photography has been active since 1980, and it seems to me that these words, synonymous with worry, have been uttered for the thousandth time. With the exception that this time, however, the abyss into which we are about to plummet is far from being "virtual." Quite the contrary, it appears particularly "real" and deeper than ever.

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Claude-Philippe Benoit

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Photo n&b: bureau d'une manufacture de vêtements

By Claude-Philippe Benoit

The photography of interiors

is the business of urban strollers,

crossing thresholds to search within,

for traces of the occupants' passage.

 

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PORTFOLIO - Claude-Philippe Benoit

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Photo n&b: porte-tournante d'un immeuble le soir

 

 

 

 

 

 

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Travel Journal

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Photomontage n&b: damier de vues de l'oeuvre de Duchamp

By Mona Hakim

Looking closely at Bill Vazan's fragmented photographs, one comes to understand the necessity of interrogating the very conditions of photography's procedures, and consequently, those of vision.

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PORTFOLIO - Bill Vazan

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Photomontage n&b: assemblage de vues du temple Kailasa (Inde) pour former la syllabe om

 

 

 

 

 

 

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Phyllis Katrapani, Figures in Lit Places

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Photo n&b: vue d'une femme endormie dans un café

By Robert Legendre

I am interested in reinstating in the figurative representation of an object the entire complex system of the impressions it makes upon us in ordinary situations of daily life; that is, the manner in which it shakes our affectivity and the shapes it takes in our memory.

Jean Dubuffet 1

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PORTFOLIO - Phyllis Katrapani

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Photo n&b: ouvreuse de cinéma derrière la vitre de son guichet

 

 

 

 

 

 

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